terça-feira, 21 de agosto de 2012

Speaking about two poems by John Milton by Francisco Vaz Brasil


Speaking about two poems by John Milton
                                by Francisco Vaz Brasil
 On His Blindness
and
On His Having Arrived at the Age of Twenty-three

To introduce this essay I will draw a short biography about the author. John Milton was born in 1608 to a Puritan family (December 09, 1608 – November 08, 1674) . Was a representant of English classicism and author of famous book Paradise Lostdo one of most important epic poems of universal literature He was politics, playwright and schoolar of religion. Supported Oliver Cromwell during the Republican English. But was arrested and was blind due to glaucoma. In prison, said his masterpiece, "Paradise Lost," which tells the story of the fall of Lucifer, and was published in 1667. Four years later, the book launches Paradise regained, a sequence of the first poem, deals with the coming of Christ to Earth regain that Adam would have lost.
In June 1642, with 33 years, Milton maaried Mary Powell, 16 years of age. In 1646, his family and was expelled from Oxford for supporting Carlos I during the English Civil War, changes, in conjunction with the couple. They had four children: Anne, Mary, John and Deborah. His wife Mary died on May 5 of 1652, of complications of childbirth, after delivery of Deborah to May 2, which deeply affected Milton, as is evident in his 23rd sonnet. In June, John died at 15 months, their sisters survive until adulthood. The November 12 of 1656, Milton married Katherine Woodcock. She died in February 3, 1658, less than four months of giving birth to her daughter Katherine, who also died at 17 March. On 24 February 1663, Milton married Elizabeth Minshull, who cared for him until the his death.

Main Milton’s works are: L'Allegro (1631), Il Penseroso (1633), Comus (a masque)(1634), Lycidas (1638), Areopagitica (1644), Paradise Lost (1667), Paradise Regained  (1671) and Samson Agonistes (1671).

Milton is best known for Paradise Lost, widely regarded as the greatest epic poem in English. Together with Paradise Regained and Samson Agonistes, it confirms Milton’s reputation as one of the greatest English poets. In his prose works Milton advocated the abolition of the Church of England and the execution of King  Charles I.  From the beginning of the English Civil Wars  in 1642 to long after the restoration of Charles II as king in 1660, he espoused in all his works a political philosophy that opposed tyranny and state-sanctioned religion. His influence extended not only through the civil wars and interregnum but also to the American and French revolutions. In his works on theology, he valued liberty of conscience, the paramount importance of Scripture as a guide in matters of faith, and religious toleration toward dissidents. As a civil servant, Milton became the voice of the English Commonwealth after 1649 through his handling of its international correspondence and his defense of the government against polemical attacks from abroad.
     Some authors have written about the blindness of John Milton and have a dangerous indication of the cause of the problem has changed the life of this great English epic poet. But the main cause pointed is glaucoma due to acute emotional crises
     The most valuable source of information about the reactions of John Milton to his loss of vision is a letter he wrote to his friend Leonard Phileas. Among the many angles covered by the blind writer, to bring the fine phrases in showing how to accept blindness.
He says: ... "my darkness, for natural mercy of God, with the help of studies, leisure and kind of conversation my friends, is much less oppressive than the deadly darkness to which it refers. Because if, as is written, the man does not live by bread alone, but of every word that comes from the mouth of God, that a man can not really accept this, thinking it can only obtain the light of their own eyes, judging - However, sufficiently illuminated by the guidance and providence of God? Therefore, since it provides the things and gives me coverage, as it does, and leads me forward and three for His hand, as though the whole life, I can not give a break to my eyes, since this seems His be happy? "
Indeed, during the 22 years of his blindness, Milton has become much more busy and your activity at work grew as never before occurred. The first eight years of his life as devoted to blind him to Cromwell, as Secretary for Foreign Languages. Letters translated from Latin into English and vice versa. Milton worked with the help of secretaries..
     Organized a dictionary of Latin, prepared a story for publication in England and came to publish a very serious study on the Christian doctrine. Also, always maintained extensive correspondence, as was customary. It is vital that we remember that the fine statements of faith written by Milton have been compounded by a man who was blind at the height of its potential and that he felt in the hands of God.  John Milton was married three times. His third wife was a very beautiful wife, but own a very difficult and violent temper. They say that when the Lord Buckingham visited, he was fired saying that he considered he was married to a real rose. Milton replied: "I can not judge by color, lord, but feel it by thorns."
     Politically, Milton was very controversial, even being arrested for being a staunch supporter of the Commonwealth. Although some of his works were burnt publicly, was spared the punishment but not greater rid of the dismissal of his property, leaving a situation in some poverty.  It is at this stage that follows writes that the work would be his masterpiece - Paradise Lost - which speaks of the fall into the temptation and expulsion from Paradise, a language that aims to rival the Greek epic. The poems were dictated to his daughters and the manuscript sold for five pounds.
     Now, let’s do to an explaination of thoughts and ideas about John Milton’s poem – On His Blindness. Firstly, this problem brought him a verbal enrichment even greater.
     During his service to the Commonwealth, in 1652, Milton became blind and it became necessary for others to share in his labors. His blindness occasioned one of the most moving of his sonnets,  On his blindness,  written in 1655. It records his fear that he will never be able to use his God-given gift for poetry again. Yet God may demand an accounting of his righteousness. And his entry into Heaven will depend upon how well he has used the gifts that God gave him. The sonnet ends with Milton s acceptance of the fact that what God wants of him is obedience and resignation. He can then serve God even if he cannot write poetry, for  they also serve who only stand and wait… This means the embodiment of Patience.
     In reference to structure of the poem, we perceive the beauty of form on the sonnet. Once we have assimilated the impact of what the poem says, our attention begins to focus on how the poem is put together. There is an abundance of artistry and technique here. For one thing, the poem is an Italian sonnet. This means that it is a 14-line poem with regular meter and an intricate rhyme scheme – abba abba in the first eight lines, followed by three new rhyming sounds in the last six lines (cde cde).
 When we read we perceive that this is an expression of a recognizable human experience. As we absorb the poem, we listen to the voice of suffering humanity. For all its particularity, the poem arouses our awareness of something that is close to the experience of everyone - the tragedy of human life, the debilitating catastrophe that changes a person's whole life, the psychic pain that cannot be brushed aside because it is a daily reality. The poem does what art often does: it faces the facts of life at their worst. One function of art, therefore, is to allow is to grapple with our own problems from a safe distance.
     The perspective from which we view human suffering is a Christian one. Milton here contemplates his handicap under the aspect of God’s providence. Even the anguish of the first eight lines is defined in Christian terms as the speaker fears God’s condemnation of him for his inactivity now that he is blind. Having wrestled with the problem, the speaker’s quest for satisfaction is also achieved in Christian terms: “they also serve who only stand and wait.” That is, the speaker can stand justified before his God because of such avenues of service as submission, worship, and expectation of what God will yet send. The poem thus gives is a new slant on the timeless truth that all things work together for good to those who love God, and a new example of Paul’s insight about learning to be content in any circumstance of life.
     Milton does not say all this abstractly. He embodies his meanings in poetic form, which means that he speaks in images, metaphors, and allusions. The method of art is to incarnate meaning in concrete form. The artist shows, and is never content only to tell in the form of propositions. The strategy of art is to enact rather than summarize. In this poem, Milton embodies his message in the concrete form of a person meditating on a problem and searching for a solution. The result is that as readers we recreate in our imaginations the experience of the speaker in the poem, from the moment he embarks on his process of meditation (“When I consider…”) to the final resolution in the famous aphorism with which the poem ends. The poem does not only ask us to grasp an idea with our minds; it also puts us through an experience.
     In achieving this experiential concreteness and immediacy, the poem works by a certain indirectness. Because of this indirection, art always puts a burden of interpretation in its audience. In the present instance, we have to know how to interpret figurative language. The vocabulary of the poem makes little sense unless we are familiar with three gospel statements by Jesus – the incident of the blind man whom Jesus healed (John 9:1-4), the parables of the workers in the vineyard (Matthew 20:1-16), and the talents (Matthew 25:14-30). As in those biblical passages, the images of the poem are heavily metaphoric.
     In other hand looking at Milton's poem On His Having Arrived At the Age of Twenty-Three, we can perceive. In John Milton' s works we can see the problems of the English society and his own too. Such a poem is " On His Having Arrived At the Age of Twenty-Three" because it shows the concerns that Milton had about his career when he was young and still hadn't chosen his own way in life. In this famous work of his we don't see a celebration of a birthday but a problem that the young gentleman faces as time passes by. The author uses many metaphors and symbols in order to give a more vivid image of his problem, and at the end he gives a solution to this problem.
     In this poem we can see the personification of Time, as a thief of youth of the author, robbing their wings on 23 years of age. The time is inexorable, change the appearance and does change the spring and sprouting seeds and the emergence of the flowers ...
This poem is, too, a sonnet, with rhyms and it is in addition to spirituality, is rich in imagination by images and metaphors that it spread.
     And then, for conclude in Milton, it’s not so easy discovery under a lot of words and archaic phrases the bright stones of wisdom. Milton asks how the Lord of the universe could allow this happen. Everything that Milton wanted was to use his talents and serve God. How could God require your services denying the light he needed to work?
But the Patience in order to prevent the murmur, said "God does not need the work of men and not of their personal talents, those that best support your yoke soft or that best serve to Him.
Recently there was in London the Ninth International Milton Symposium which also marks John Milton’s quatercentenary. (He was born December 9, 1608, and died in 1674.) In a sense it’s just a big birthday party for a big birthday, although none of us is likely be honored by a party at which some 200 people from all around the world give papers celebrating our achievements, either during our lifetimes or after we have been dead for centuries.
     Some writers that attended the symposium manifested their reasons in participation on this event. They have been going around asking, and the answers have come quickly and spontaneously. Nigel Smith of Princeton, whose published work is more historical than literary, set the tone said, “It’s the beauty of the thing; the poetry is just gorgeous; it makes me want to cry.” John Leonard of the University of Western Ontario seconded him: “It’s the way he works with words; what keeps me coming back is the sheer sound of the poetry, ‘simple, sensuous, and passionate.’
   But it’s more than that, as both Leonard and Smith agreed. Leonard: “More than anyone else, Milton captures the disjunction between the way things are and the way they should be.” Smith: “It’s the combination of amazing poetry and an insistence on principle.” Rather than being employed for its own sake, the poetry is always in the service of ideas and moral commitments, and it is always demanding that its readers measure themselves against the judgments it repeatedly makes – judgments about the nature of virtue, about the proper mode of civil and domestic behavior, about the true shape of heroism, about the self-parodying bluster of military action, about the criteria of aesthetic excellence, about the uses of leisure, about one’s duties to man and God, about the scope and limitations of reason, about the primacy of faith, about everything.
   Milton’s poetry never lets you relax . Even when one of the famous similes wanders down what appears to be a desultory path of mythical allusions and idealized landscapes, it always returns you in the end to the moral perspective that had only apparently been suspended.
   Reading a poetry full of moments like this, moments when a poetic effect cannot be separated from the pressure of ideological choice, is at once exhausting and exhilarating. Milton’s poetry is good to think with. It’s a good workout. You feel really great and fit when you’ve finished.


Sources:
http://rhesponse.blogspot.com/2005/11/miltons-sonnet-on-his-blindness-part-4.html
http://fish.blogs.nytimes.com/2008/07/13/happy-birthday-milton/?emc=eta1
http://sinaisdarevolucao.blogspot.com/2006/06/john-milton.html

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